Griselda, Beatrice, and Kate Essay -- Comparative, The Model of Femin

In comparison with Griselda, the model of femininity and eponymic for solitaire and obedience, neither Beatrice, from Much Ado About Nothing, nor Kate, from The Taming of the Shrew, display view classical femininity. Instead, Beatrice and Kate perform Shakespeares representation of the unruly womanhood in such a way that directly goes against everything that a woman should be. This causes Beatrice and Kates respective suitors Benedick and Petruchio to display their masculinity in a direction that counteracts their respective unruly womans behavior. The destinationing of two plays contains both(prenominal) ambiguity in the futures of these unruly women both have had some unification between their initial unruly behavior and their newfound stereotypical sexual activity roles. While this merger brings the women closer to normal society, they retain a centerfield trait of rebellion which keeps them from completely merging into their societies.In order to insure exactly how Bea trice and Kate fail to display model behavior throughout their plays, it is shrill to discuss the model behavior for women during the late medieval and renaissance periods. An glorious source of 16th century ideals comes from Giovanni Boccaccios 14th century assembly of short tales, The Decameron. Specifically Boccaccios The Story of Griselda, tells the tale of a young, flush(p) lord who selects Griselda, a low class woman, to be his wife. After quad or five years of being married, the young lord, Gualtieri, decides that he would inevitably make proof of his fair wifes patience. (Griselda 3) Gualtieri tests Griseldas patience and obedience by sentencing their two children to death, provokeing her by injurious speeches, showing jolting and frowning looks to her, (Griselda 3) and many... ...o their unconventional wooing. Emphasizing their rebellious natures through wit and humor, both Beatrice and Kate behaved in ways that rejected any potential suitors. Beatrice and Kate use d their linguistic process to attack and belittle men, something that absolutely not allowed in a handed-down Shakespearean woman. Beatrices wit was only allowed in the context that it was nigh always humorous, allowing others to justify her language. Kates role as a shrew is rejected outright, as she neither uses humor nor can escape the concomitant that her fate is ultimately decided by her father. It is not until they meet friction match that with as much fire and wit as they that either woman allows themselves to be marriedconforming to societys expectations. Both end up in relationships where they have more power than an average married woman would have, and neither ends up completely dominated.